Neal Caine Bio:
Bassist and composer, Neal ‘Sugar’ Caine, has been one of New York’s premier jazz bassists for the last two decades.  As a bass player, he’s buoyant yet foundational, melodic, and endlessly swinging. As a band leader, he’s commanding, thoughtful, and charismatic. Over the years, he has been a trusted creative presence for such international stars as Diana Krall, Harry Connick Jr, Betty Carter, Elvin Jones, Benny Green, Jon Batiste, Wynton Marsalis, Branford Marsalis, and Samara Joy. Caine has played iconic venues such as The Royal Albert Hall, Carnegie Hall, Madison Square Garden, Sydney Opera House, and major jazz festivals from Newport Jazz Festival to Montreaux.

Press Quotes:
“Neal Caine’s knack for writing wistful melodies that sound like half remembered jazz standards give his music a mysterioso atmosphere too rare in Jazz”
- Kevin Whitehead, NPR

“Skip to My Lou” “ A delightful dedication to his native St Louis…Mingus’s legacy is loud and clear.”
- Marco Cangiano, New York City Jazz Record

Videos:

Bandleader:

Neal Caine Quartet, Jazz St Louis, August 2024
(Neil Caine - Bass, Taru Alexander - Drums, Jerry Weldon - Saxophone, Andrew Fisher - Piano)
‘I fall in love too easily’
https://youtu.be/7a50jQLthdI?si=LRu6VN1I2vlnHxoM

Neal Caine Quartet, Jazz St Louis, August 2024
with Special Guest Victor Goines - Saxophone
‘A walking thing’
https://youtu.be/0e2f_9R67-8?si=NB9pFLEaY2pbUcG7

Live at JazzLab, Melbourne, December 2023
with Jerry Weldon on Saxophone
‘When you wish upon a star’
https://youtu.be/wqBlxaOzqZg?si=bfGeRkebqlsFJP49

Sideman:

Samara Joy and Pasquale Grasso
Newport Jazz Festival, 2022
’Around Midnight’
https://youtu.be/dLmr9Omj9CI?si=bBTxYyXsr0znma-v

Betty Carter,
Live at Nice Jazz Festival, 1998
‘Isn’t it Romantic’
https://youtu.be/9kKvuIDgq_g?si=DDyWCDIkGjRVLHv9

Latest Album, ‘Skip to My Lou’, January 22nd 2024:

“Skip to My Lou”
Neal ‘Sugar’ Caine
On all streaming platforms

Bassist and composer Neal Caine releases his latest recording ‘Skip to My Lou'. As a bass player, he’s buoyant yet foundational, melodic, and endlessly swinging. As a band leader, and composer, he’s commanding, thoughtful, and charismatic. Over the years, he has been a trusted creative presence for such international stars as Diana Krall, Harry Connick, Jr., Betty Carter, Elvin Jones, Benny Green, Jon Batiste, Wynton Marsalis, Branford Marsalis, and Samara Joy.

This latest album is a love letter to Caine’s hometown St Louis, the grit and sophistication of his hometown musically encapsulated in his own compositions, and unique arrangements of some classic standards.

His first album ‘Backstabber’s Ball’ in 2005, on the Greenwich Village Small’s label, debuted his compositional skills and more introverted musical expression:

‘The quiet atmosphere, ghostly harmonising of the horns and Neal Caine’s knack for writing wistful melodies that sound like half remembered jazz standards give his music a mysterioso atmosphere too rare in Jazz… Caine steps out for a few sturdy solos but this is less a show case for his bass playing, as his composing and artistic vision, it’s a rare jazz album, let alone a leader’s debut that makes such a strong statement treading so carefully.” Kevin Whitehead from NPR

After two decades of deepening into his music, Caine’s latest musical missive is a deeply felt ode to his home town St Louis. ’Skip to My Lou’ is a journey of personal tribute as well as a poignant vehicle for Caine to stretch out compositionally. With many of the original tunes, such as 'Skip to my Lou’ and ‘Laclede Town’, musically evoking aspects of the city he loves. Alongside these evocative pieces are Caine’s unique, and unexpected, arrangements of classics like ‘Mr sandman’, ‘Chim Chim Cheree’, and ‘Nature boy’. All expressed in a unique, dark, groove oriented, bass forward record. Caine’s swing is relentless and this is on full display, concurrent with his deeper felt sensibilities and way of seeing the world.

“St Louis. My hometown. Gritty and blue collar, yet sophisticated and refined. A diverse city with a rich history of talented musicians. ‘Skip to My Lou’, captures the dichotomy that is St Louis; the ability to be intellectually stimulating, yet funky at the same time.  This recording features a mix of original compositions like the title track ‘Skip to my Lou’ and ‘Laclede Town’, which are musical meditations on my hometown; plus some of my favourites like ‘Mr Sandman’, ‘Nature Boy’ and ‘Chim Chim Cheree’.

I am joined on this musical journey with my long time cohorts Andrew Fisher on piano and fender rhodes, plus Henry Connerway III on drums. Together we combine for a truly original sounding trio that features the bass on top, but with creative contributions made by all. We humbly present this hard swinging and thought provoking musical offering with the hope that you thoroughly enjoy it.”    Neal Caine

Neal Caine, bass
Andrew Fisher, piano and fender rhodes
Henry Connerway III - drums

Recorded, mixed, and mastered by Patrick Smith
 at Big Orange Sheep
 Recording studio
 Brooklyn, NY

For further information please contact
Neal Caine at:
ncaine1@me.com
www.Nealsugarcaine.com

“Skip to My Lou”
Neal ‘Sugar’ Caine
On all streaming platforms
January 22nd 2024

‘Skip to My Lou’ Liner notes:
 Track listing and Liner Notes by Neal ‘Sugar’ Caine:

1. ‘Skip to My Lou’ (title track) Neal Caine     Time: 6:14

“ Skip to My Lou is an original tune that really embodies the grit and grime, streetwise side of St. Louis. The nasty funk bass line is the musical foundation on which the tune is built and was originally inspired by KRS ONE’s The Bridge is Over.”

2. ‘Chim Chim Cheree’ Robert Sherman & Richard Sherman.  Time: 5:38

“I always loved John Coltrane’s version of Chim Chim Cheree, it is haunting and powerful. We have a  different, hip, arrangement of the Mary Poppins classic, that incorporates a vamp in the form, and featuring the bass soloing over an introductory vamp and an open solo as well.”

3. ‘Goodbye Pork Pie Hat’ Chales Mingus. Time: 4:49

“Goodbye Pork Pie Hat is simply a beautiful tune that I dig, so wanted to include it in this record. It’s written by the great bassist, and composer, Charles Mingus to honour Lester Young, upon his death.”

4. ‘White Castles - Interlude’   Neal Caine. Time: 0.46

“White Castles is a short interlude based on the ‘Skip To My Lou’ musical theme with the bass blowing and the keys playing the bass line.  This tune evokes for me, sentimental teenage memories of frequent late night meals at this iconic burger joint.”

5. ‘Fingers of Doom’  Neal Caine.  Time: 4:38

“Fingers of Doom is an original of mine about not only the battle hardened, calloused hands developed after thirty years of playing bass, but also a metaphor for all of the challenges that occupy the life of a professional musician. The groove feel implies how dark life can be at times.”

6. ‘Mr Sandman’  F. D. Ballard, PAT BALLARD.  Time: 3:38

“Mr Sandman is just a quirky, hip melody that resonates in everybody’s past, so well known,  yet  I never hear jazz musicians play it; so I did!”

7. ‘Skull Duggery’ Neal Caine.  Time: 4:45

“Skull Duggery is another original song of mine that speaks to all the unfortunate sneaky, stealthy behavior that sometimes goes on between couples and people in general.”

8. ‘Nature Boy’ Eden Ahbez.  Time: 6:37

“Nature Boy is one of my favourites, and the song I usually open my sets with. It was first made famous by the great Nat King Cole, who sung it as a ballad. We present is as an uptempo arrangement, opening with the bass soloing on a vamp before settling into some hard swing.”

9. ‘St Paul sandwich - Interlude’ Neal Caine.  Time: 0.42

“St Paul Sandwich, another St Louis delicacy, is a short interlude revisiting the musical theme of ‘Skip To My Lou’ featuring the Fender Rhodes instead of the piano.”

10. ‘I Don’t Know’ Neal Caine.  Time: 5:37

“I Don’t Know is my version of the classic break up song.  It’s when you have reached your wits end with your partner and you throw up your hands and say “I Don’t Know!”. The rock sections in the beginning, and end, represent the anger that we all feel when that happens, with the swinging waltz section in the middle explaining in more detail the good, and  bad of a relationship.”

11. ‘If I Only Had a Brain’  E.Y. Harburg and Harold Arlen.  Time: 6:35

“If I Only Had a Brain is one of the great songs from one of the great movies ever,  Wizard of Oz. I start this one out with a rather modern open bass solo before settling in with the trio. A classic I love.”

12. ‘Laclede Town’ Neal Caine.  Time: 4:06
 “Laclede Town is the neighborhood I was born into in St Louis. It was a very special place to live in the 1960’s and 70’s.  A diverse,  inter racial neighborhood filled with musicians and artists that unfortunately was plagued by many of the problems of most American cities, crime, drugs and hopelessness. It was eventually razed and the land bought by St Louis University. This song is meant to represent that journey, beginning with a pretty, idyllic vibe that descends into a gritty, angst filled solo section (in 5/4).”

13. ‘Shiny Stockings’ Frank Foster.  Time: 4.22

“Shiny Stockings is an old Count Basie favourite that swings itself. Again the bass opens up soloing on a vamp, before playing the melody and falling into a swinging piano solo. Another solid favourite of mine that I had to include"

14. ‘At Your Leisure’ Neal Caine.  Time: 5:31
 “At your Leisure is an original of mine that encapsulates that  feeling, when you’ve completed a long hard task, successfully. Like this album, which is why I put it last.”

“Skip to My Lou”
Neal ‘Sugar’ Caine
On all streaming platforms
January 22nd 2024